|
|
 |
Anopheles Records is proud to announce our
latest archival release, the first ever
authorized, high quality vinyl LP reissue
of Baltimore, Maryland's Maypole, whose
sole album, "The Real", was
recorded in three days, July 1970, and
released in early 1971, shortly before
their label folded, dooming the album to
stillborn status commercially at the time,
and collector want list status today.
The
LP is an ambitious, 50 minute feast of
tight harmonies, powerful arrangements,
fluid improvisation, and flat out great
songs, and serves as a touchstone for twin
guitar-driven, west coast styled
psychedelia, soaring power pop, and
blistering hard rock - some even call it
prog - everyone wants a piece of the Great
One. If you've been looking for an LP to
complete an imaginary trilogy with S.F.
Sorrow and Parachute, then this is your
tonic.
The stature of Maypole has been
muddied by the previous CD reissues, but
this LP edition gets it right. Featuring
state of the art remastering and pressing,
a high quality full color "tip
on" jacket featuring original
artwork, and a full color insert loaded
with lyrics, photos, and complete
historical notes by Maypole founder,
Dennis Tobell, this is the closest to
"classic psychedelia" Anopheles
Records has delved in to date, and we're
glad we didn't settle for something second
rate - Maypole is "The Real."
Anopheles 011, Maypole: The Real LP is $20 ppd in USA, $30 ppd world |
|
| |
|
|
|

 |
Anopheles 010 - Todd Tamanend Clark - Nova
Psychedelia (1975-1985) 2CD
"Outside of his native Pennsylvania-West Virginia stomping grounds, Todd Tamanend Clark remains one of the least known North American underground artists in the "lost music" DIY field of his era, considering he has collaborated with and shared time with many of his peers over the years (Cheetah Chrome, Allen
Ravenstine, Stiv Bators), as well as progenitors (Dorothy Moskowitz of United States of America, Robert Moog, William Burroughs), his significant body of recorded (and printed) work was always made in small runs and has remained elusive and highly collectible to this day.
This 2CD set collects all of his released vinyl recordings from 1975-1985, including those issued as The Stars (1975 45 rpm and eight-track cartridge material), The Eyes ('New Gods: Aardvark Thru Zymurgy' LP from 1977), Todd Clark Group ('We're Not Safe!' LP from '79), and Todd Clark ('Into the Vision' LP from '84, plus two 45s released in the first half of the '80s). He has since appended his name to reflect his Native American roots. This document features a 20 page booklet, with Todd's own personal history included, with notes on each track (all 33 of
'em, total time for this set is over 150 minutes of music), and a host of great photos and artwork. His muse may remain a mystery after you experience this wide range of sounds, which might very well be Anopheles Records' most ambitious and "out there" release to date, but he leaves tangible clues and some out and out hooks with which to grab onto: great reworkings of "Hungry" (Paul Revere and the Raiders) and "I Had Too Much To Dream Last Night" (Electric Prunes), his bizarre
"slo-mo" take on "Two Thousand Light Years From Home" (from his debut 45 from '75) are some points of reference, but it's when Todd cuts loose on original material that his truly mesmerizing, bent vision takes hold of your cranium and refuses to let go. His personal magnetosphere is quite intoxicating, often challenging, and just plain hallucinatory. That's Nova
Psychedelia."
Anopheles 010 -
Todd Tamanend Clark - Nova Psychedelia (1975-1985) 2CD
$20 ppd USA, $25 ppd world. UPC# 820320009220
Song Samples from Disc 1 (60
seconds / 1 mb)
Song Samples from Disc 2 (60 seconds / 1 mb)
|
|
|
|
|
Anopheles 009:
George Brigman's 1975 debut LP, Jungle
Rot, may well be
the last great American 1970s underground LP of its
stature and power (as both grail collectable and musical
monster) to never to have received a legitimate reissue
- until now! As an eighteen year old songwriter and
guitarist with big ambitions, Baltimore's Brigman cut
Jungle Rot thirty years ago as a privately pressed LP on
his own Solid Records label, making this raw fuzz
guitar, acid-blues "rough diamond" gem his
first release.
Anopheles 009, George Brigman, Jungle Rot LP, is now sold out. |
|
George
Brigman Review: At age 18, the most a musician should ever hope for is an
ill-fated, ramshackle band to fill backyards and basements, a
pennant to someday pin on the brick wall of nostalgia. George
Brigman wasn’t like most musicians. He came away from the
latter part of his youth with an impressive lot of recordings
pressed on his own imprint, Solid Records, and a legion of fans
eager to get their hands on his tomes of blissful, bluesy
sludge. The first of these albums was Jungle Rot and the year
was 1975. In the interim between the debut’s release and its
30-year anniversary in 2005, numerous bootlegs would appear of
questionable quality, leaving ample room for a proper, dutiful
reissue. Enter Karl Ikola and Rick Noll, respective proprietors
of Anopheles Records and Bona Fide Records.
But don’t call Brigman the Rimbaud of self-produced
psychedelia. Unlike many of his contemporaries, he’s seemingly
uninterested in masturbatory poetics; Brigman’s lyrics stand
as elemental and unadorned as a rite of passage, allowing for
some of the fuzziest layering of guttural guitar chops in ages,
not unlike Jim and William Reid’s eventual idolatry of Bo
Diddley and “Teenage Lust.” Brigman’s voice takes on a
deepness that casts a bizarre patina on the whole record; it’s
as if you’re privy to a teenager jumping forward and
psychically channeling his formative years, calling forth every
hormone-laden scene with a new ferocity that only a few jaded
years and a wobbly leg up could bring. These are not the
crystalline teenage anthems of the Ramones, nor is this the idle
dabbling of a rock ‘n’ roll whippersnapper. This, folks, is
what all those white blues brothers from South London were
getting at in the late ’60s and early ’70s before the
keyboard symphonies came into play. Jungle Rot is up there with
Twink’s Think Pink, May Blitz’s Second of May, or any of Ron
Warren Ganderton’s material. Fans of Dead Meadow take heed,
you can now put down that Blue Cheer record.
Brigman’s tendencies draw comparison to those of the
Groundhogs’ Tony McPhee, so it should be no surprise that he
covers the icon’s music in later releases. In fact, three
tracks from Brigman’s former band, Hogwash, presumably named
for the 1972 Groundhogs album of the same name, are included on
Jungle Rot for good measure. You’ll hear traces of everyone
from Dick Dale to Willie Dixon on this LP, with licks as
leveling as Ry Cooder’s. Imagine a less schizophrenic,
never-ending version of Todd Rundgren’s “No. 1 Lowest Common
Denominator” from the standout Todd LP, spread across a hazy
battery of intoxicated but brutal songs. Brigman’s take on the
bad boy serenade is equal parts Martin Sheen in “Badlands,”
and a sleepier Johnny Burnette.
“Schoolgirl” rivals the Dennis Wilson song of the same name.
Its rebel Casanova mentality is contrasted with an appropriately
weepy guitar – it sounds just as bombastic as Wilson’s track
from the unfinished album, Bamboo. “Blowin’ Smoke,” first
released as a 45 in 1977, punishes as much as the rest of his
musical taunts; Brigman is clearly warming up to assume the role
that titles his Human Scrawl Vagabond LP, itself still waiting
for reissue in European boots.
So what was once lost is now found. Baltimore continues to stand
as an unexpected American vortex that occasionally regurgitates
clandestine fodder of decidedly potent value. Between George
Brigman’s quiet genius and Fortune Teller’s monumental
Inner-City Scream LP from 1978, ’70s Baltimore seemed like a
serious place to be. John Waters just may have to fork over his
throne as Maryland’s King of the Wasteland. It’s now time
for Guy Blakeslee to have a glass of Kool-Aid with his
predecessor and really get something going. Imagine the
possibilities.
-- Allison Wisk, Dusted magazine. www.dustedmagazine.com |
|
|
|
|
Homestead & Wolfe: Our Times - The Gold
Star Tapes (1973-75) CD Anopheles 008
Originally
released in 1975, Homestead & Wolfe's lone and unknown
privately pressed LP is an artifact so lost to time, it has
never appeared in any discography, list of rare records, or
catalog, anywhere. However, exist it does, and now their story
can be told.
Anopheles Records has sat tight lipped on this
discovery for the last year while researching and preparing this
reissue from the original master tapes and with full cooperation
of the group. Homestead & Wolfe was a folk-harmony group
based around the United Methodist Good Samaritan church in
Cupertino, CA (near San Jose). Comprised of two female lead
vocalists, one male lead vocalist, and buttressed with superb
male and female harmonies throughout, H&W performed original
material in a rich, melodic folk-rock-country style that is well
executed, as well as earnest and personal. The patriarch,
producer and lyricist of the group, Ernie Bringas, had dabbled
in the record biz as one of two founding members of the
"surf hot rod" early 1960s vocal duo, the Rip Chords,
before leaving the music business to attend seminary school. As
a Minister of Youth and master planner and motivator at Good Sam
from 1969-75, Bringas assembled and encouraged this ensemble of
counselors and students, eventually offering them an opportunity
to record an album and have a shot at "making it" as
artists. He gave them the ultimate "leg up" in the
business, producing this finely crafted recording using his old
Hollywood connections.
These 15 tracks were recorded at the legendary
Gold Star Studios in Hollywood between 1973-75. Engineered by
Stan Ross, these recordings feature top flight studio
musicianship from legendary "wrecking crew" drummer Hal Blaine, guitarist Ben Benay
(Goldenrod, Darius), acoustic guitarist Al Casey, monster bass
player Ray Pohlman, not to mention one of the world's most
renowned and respected pedal steel guitar players, Jay Dee
Maness (Buck Owens, the Byrds' Sweetheart of the Rodeo LP). The
harmonies and arrangements of H&W recall both the Mamas and
the Papas and the Carpenters at times, but much of the music
deals with darker themes: the story of Wounded Knee told in
"See The Children Die", the organ fueled psychedelia
of "Your Freedom's In Question", aimed at the Nixon
administration at the time, remains apropos today, and recalls
the work of Growing Concern, Birmingham Sunday, and Art of Lovin'.
There are plenty of surprises here, as we
located 6 unreleased tracks to augment the 9 tracks on the
original album, including the startlingly great and dynamic cut,
"Beat of the Drum", which sounds as if the Bangles
were hired to front Goldenrod for a one off single. The full
color 16 page booklet tells the story in their own words,
features images of the touring group and recording sessions at
Gold Star, and maintains the high standard of archival work
Anopheles Records is known for. Homestead & Wolfe represents
a highly unusual and strikingly original blend of unproven but
talented young vocalists, top quality session players and
engineering, and a truly rare chemistry that makes this one of
the great folk-rock discoveries of the last 10 years.
Karl Ikola
/ Anopheles Records
- Homestead & Wolfe: Our Times - The Gold
Star Tapes (1973-75) CD
- Anopheles 008, Homestead & Wolfe: $15 ppd USA, $20 ppd world
- genre: folk-rock-country-psych-pop
Listen to short selections of a few of the
songs (all 30 seconds and about 500 kb):
|
|
|
 |
Anopheles
007: Twinkeyz: Cartoon Land LP (2002)
Deluxe LP issue of the best studio recordings of 70s
Sacramento garage psych legends, the Twinkeyz! The 1998 Aliens
In Our Midst CD is out of print, and Donnie Jupiter decided
we'd have the most fun making the music available again on a
high quality limited edition LP! Stunning full color sleeve
featuring original artwork by Donnie never seen in public
before, card stock insert with photo and brand new liner notes
by Karl Ikola! This group was the "missing link"
between the Sacramento Valley '60s garage band scene (Oxford
Circle, the Public Nuisance) to '80s Paisley Underground
heroes originating from the tiny Davis/Sacramento cluster of
groups of the late '70s/early '80s (Dream Syndicate, Game
Theory, True West). The Twinkeyz included Donnie Jupiter,
guitarist supreme Tom Darling and Dave Houston (ex-Public
Nuisance. The group was a "charter member" of the
"first wave" of mid-to-late '70s US bands to garner
feverish underground notoriety via small press and fanzines such
as Pere Ubu, Television, Chrome, Debris', Distorted Levels,
the Dogs, the Mirrors and the Sneakers. Crude distortion
("Aliens In Our Midst"), deep fried post-Velvets
crunch ("Wild Love" -- at times rivaling Alex
Chilton's Like Flies On Sherbert LP!), Syd Barrett/T. Rex
inspired garage-pop heaven ("E.S.P.", "Watch Out
For Her Kiss") to the "A Day In The Life" meets
"L.A. Blues" tumble of the LP finale, "My
Plea"! This edition features two cuts never before issued
on vinyl! All the original singles and LP tracks! 13 cuts of the
best crude genius America had to offer a quarter century ago.
Anopheles 007, Twinkeyz Cartoon Land LP, SOLD OUT. |
|
|
|
 |
Anopheles
006: Out August 2008 - DEBRIS' Static Disposal LP - 2008 black vinyl edition! Anopheles Records is proud to announce a high quality, deluxe, tip-on style, heavy jacket sleeve LP edition of this 1976 acid-punk classic from Oklahoma for 2008, with an additional two sided insert unique to this edition, pressed on black vinyl for the first time since the original pressing in 1976. This is the outer limits, psych-noise proto-punk extravaganza that went on to inspire the likes of the Screamers and Nurse With Wound. This edition features the complete April, 1976 self-released LP, taken from the original master tapes, with original artwork, and a previously unreleased (and amazing!) November, 1975 home demo recording exclusive to the LP edition. The previous clear vinyl edition of Debris' on LP from 2002 sold out years ago, so we are glad to have it available again, after many requests from DEBRIS' fans around the world. We must keep it alive!"
Anopheles 006, Format LP, with insert, black vinyl Price: $20 ppd USA, $30 ppd world |
|
|
|
 |
Anopheles
005: Victoria Vein and the Thunderpunks: "Rear Guard Action
/ Other Things" 7" 45 rpm single (1999). Previously
unissued May 1974 studio recordings by this Debris' precursor
group finds Oliver, Chuck and company in a high energy glitter /
R & B mode ala the New York Dolls. Stunning full color
sleeve, clear wax, fully annotated. Sold Out. |
|
|
|
 |
Anopheles 004: DEBRIS': Static Disposal CD. 21 tracks and over 76 minutes of 1975-76 recordings by this legendary trio from Chickasha, Oklahoma. Dada / punk / psych weirdness that stands its own ground and then some. DEBRIS' was namechecked in Nurse With Wound's (NWW) infamous list of influential LPs included with their first album in '79. This reissue includes a 28 page booklet with liner notes penned by all three members, song lyrics, photos and more. We've used the original LP master tapes and added 10 previously unheard and stunning rehearsal recordings as bonus tracks.$15 ppd USA, $20 ppd world.
|
|
|
|
 |
Anopheles
003: The Twinkeyz: Aliens In Our Midst (Complete Recordings
1977-80) CD (1998). This is the complete recorded works of
Sacramento legends, the Twinkeyz. The CD is 21 tracks, 69
minutes, and features a 16 page booklet w/ notes by group
founder Donnie Jupiter, as well as folks on the scene such as
Steve Wynn, Scott Miller, Byron Coley, etc. Many photos and
posters are reproduced inside the booklet as well. A landmark
document of a great group that could have easily been swept
aside by history's unforgiving broom. Tuneful freakouts
abound. Sold Out. |
|
|
|
 |
Anopheles
002: Jim Shepard Plays The Songs Of Kim Fowley 7" ep (1996).
Clear vinyl limited to 500 33 1/3 7" 5 song ep of Vertical
Slit/V-3 mastermind Jim Shepard (RIP), paying homage to a
mutually inspiring spiritual hero of non-conformism, Kim Fowley.
Recorded at home on Jim's 4 track in Columbus Ohio, this ep
really blew some minds when it was released, and features covers
of Fowley's "Face On The Factory Floor", "The Trip", "Animal Man",
"California Hayride" and "Nam Lamina".
Anopheles 002, Jim Shepard 7" - Last copies - $15 plus postage
|
|
|
|
 |
Anopheles
001: Venom P. Stinger: Live LP (1992). Limited to 1000 clear
vinyl LP in heavy cardboard full color printed sleeves,
Australia's VPS plays uncompromisingly raw rock music recorded
live on radio station KDVS in Aug 1991 (this was their third
LP). Ex-Sick Things/Fungus Brains (and Venom P.) guitarist Mick
Turner now joins former Venom P. drummer Jim White in the
awesome instrumental trio, Dirty Three (and the duo, the Tren
Bros). Sold out. |
|
|
|
|
www.anophelesrecords.com |
|
Web
Design by Ted
Larson
|